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shakespeare
| # | Title | Description | Contributor | 
|---|---|---|---|
| 1 | The Death Masks of Macbeth | In this short talk Professor Simon Palfrey explores the deathly afterlives of Shakespeare’s ‘... | Simon Palfrey | 
| 2 | Shakespeare, Mind and World | Tom MacFaul discusses how Shakespeare’s age thought about thinking. In particular, he looks at... | Tom MacFaul | 
| 3 | Shakespeare's Animals | Why are animals everywhere in Shakespeare's language? Only two actual animals definitely appear... | Tom MacFaul | 
| 4 | Venus and Adonis | Professor Katherine Duncan Jones, Senior Research Fellow, Somerville College, gives a talk on... | Katherine Duncan-Jones | 
| 5 | Memorialising Shakespeare: The First Folio and other elegies | Emma Smith (Professor of English Literature, Oxford), gives a talk on Shakespeare memorials. Ben... | Emma Smith | 
| 6 | Acting Masterclass: "Lend me your ears" | A second Masterclass on how Shakespeare spins rhetoric for the actor, with Sam Leith, journalist... | Gregory Doran, Sam Leith | 
| 7 | Acting Masterclass: 'Pyramus, you begin' | A practical Masterclass with Greg Doran from the Royal Shakespeare Company looking at what clues... | Gregory Doran | 
| 8 | The language of Shakespeare | Actors and the director talk about how they have approached and worked with their student... | Kate O'Connor | 
| 9 | Understanding Shakespeare | The actor Nick Lyons talks about the challenge of the language barrier and how he dealt with it... | Nick Lyons | 
| 10 | Two Gentlemen of Verona: The view from the Director | The director talks about how she adapted the script and directed the student Shakespeare... | Kate O'Connor | 
| 11 | The Tempest: For you am I this patient log-man | The director and actors talk about the log-scene in The Tempest and how they interpret and... | Archie Cornish, Dylan Townley | 
| 12 | The Tempest: Our revels now are ended | The famous Shakespeare scene from The Tempest, performed by actors from an Oxford student drama... | Dylan Townley | 
| 13 | The Tempest - Our revels now are ended: Conveying Shakespeare's meaning | The actor Dylan Townley talks about the language of Shakespeare. He describes how understanding... | Dylan Townley | 
| 14 | The Tempest: Prospero | Actor Dylan Townley talks with director Archie Cornish about the character Prospero. They... | Archie Cornish, Dylan Townley | 
| 15 | The Tempest: Direction and interpretation | Director Archie Cornish and actor Dylan Townley - Prospero - talk about adapting, directing and... | Archie Cornish, Dylan Townley | 
| 16 | Teaching Shakespeare in Schools | A teacher talks about how she teaches Shakespeare in school, using video clips and references... | Joyti Chandegra | 
| 17 | The Tempest - Our revels now are ended: Bringing a scene to Life | The director Archie Cornish, and actor Dylan Townley, introduce the Revel speech in The Tempest... | Archie Cornish, Dylan Townley | 
| 18 | Great Writers Inspire- An Introduction to the Project | A short introductory video to the "Great Writers Inspire project. | Joshua Carr | 
| 19 | Literature and Form 3: Multiple Plotting | Dr Catherine Brown gives the third lecture in the Literature and Form lecture series. Including... | Catherine Brown | 
| 20 | Shakespeare and the Stage | Professor Tiffany Stern gives a talk on William Shakespeare and how his plays were performed in... | Tiffany Stern | 
| # | Title | Description | Contributor | 
|---|---|---|---|
| 1 | 1594: Shakespeare's most important year | In the summer of 1594 William Shakespeare decided to invest around £50 to become a shareholder... | Bart van Es | 
| 2 | The Magic of Shakespeare | This lecture will celebrate Shakespeare's immortality on the exact 400th anniversary of his... | Jonathan Bate | 
| 3 | Shakespeare and the Victorians | Robert Douglas-Fairhurst, Professor of English Literature, Oxford, gives a talk for Shakespeare... | Robert Douglas-Fairhurst | 
| 4 | The Two Gentlemen of Verona | Professor Emma Smith gives the last of her 2017 Shakespeare lectures on his early comedy, Two... | Emma Smith | 
| 5 | Henry VI, Part 2 | Professor Emma Smith continues her Approaching Shakespeare series with a 2017 lecture on the... | Emma Smith | 
| 6 | The Merry Wives of Windsor | Professor Emma Smith lectures on Shakespeare’s The Merry Wives of Windsor. | Emma Smith | 
| 7 | All's Well That Ends Well | Professor Emma Smith lectures on Shakespeare’s comedy All's Well That Ends Well. | Emma Smith | 
| 8 | Cymbeline | Professor Emma Smith continues her Approaching Shakespeare series with a lecture on one of... | Emma Smith | 
| 9 | Timon of Athens | Emma Smith finishes her Approaching Shakespeare series with a lecture on the play Timon of... | Emma Smith | 
| 10 | Love's Labour's Lost | Emma Smith continues her Approaching Shakespeare series with a lecture on the play Love's Labour... | Emma Smith | 
| 11 | Romeo and Juliet | This lecture on Romeo and Juliet tackles the issue of the spoiler-chorus, in an already-too-... | Emma Smith | 
| 12 | Coriolanus | This lecture takes up a detail from Shakespeare’s late Roman tragedy Coriolanus to ask about the... | Emma Smith | 
| 13 | Why should we study Elizabethan Theatre? | Professor Tiffany Stern of University College, Oxford, discusses her current research and... | Tiffany Stern, Ilana Lassman | 
| 14 | Why should we study Shakespeare? | Dr Emma Smith of Hertford College, Oxford, discusses her current research and proposes why we... | Emma Smith, Ilana Lassman | 
| 15 | Acting Masterclass: "Lend me your ears" | A practical Masterclass with Greg Doran from the Royal Shakespeare Company on how Shakespeare... | Gregory Doran, Sam Leith | 
| 16 | Acting Masterclass: 'Pyramus, you begin' | A practical Masterclass looking at what clues Shakespeare puts into the verse for the actor.... | Gregory Doran | 
| 17 | The Merchant of Venice | This lecture on The Merchant of Venice discusses the ways the play's personal relationships... | Emma Smith | 
| 18 | Taming of the Shrew | Emma Smith uses evidence of early reception and from more recent productions to discuss the... | Emma Smith | 
| 19 | A Midsummer Night's Dream | This lecture on A Midsummer Night's Dream uses modern and early modern understandings of... | Emma Smith | 
| 20 | Much Ado About Nothing | Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John... | Emma Smith | 
| 21 | Hamlet | The fact that father and son share the same name in Hamlet is used to investigate the play'... | Emma Smith | 
| 22 | As You Like It | Asking 'what happens in As You Like It', this lecture considers the play's... | Emma Smith | 
| 23 | Shakespeare and Voice | Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare'... | Linda Gates | 
| 24 | Shakespeare Lectures | Dr. Ralph W. Schlosser's lectures on the life and work of William Shakespeare. Recorded in 1965... | Dr. Ralph W. Schlosser | 
| 25 | A Discussion of Emily Dickinson's 'I started early, took my dog'. | Dr Sally Bayley presents an illuminating reading of Emily Dickinson's 'I started early... | Sally Bayley | 
| 26 | Literature and Form 3: Multiple Plotting | Dr Catherine Brown gives the third lecture in the Literature and Form lecture series. Including... | Catherine Brown | 
| 27 | Shakespeare and Medieval Romance | Professor Helen Cooper, University of Cambridge, speaks about the continuities between the... | Helen Cooper | 
| 28 | King Lear | Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King... | Emma Smith | 
| 29 | King John | At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the... | Emma Smith | 
| 30 | Shakespeare and the Stage | Professor Tiffany Stern gives a talk on William Shakespeare and how his plays were performed in... | Tiffany Stern | 
| 31 | Pericles, Prince of Tyre | Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the... | Emma Smith | 
| 32 | Richard III | In this thirteenth lecture in the Approaching Shakespeare series the focus is on the... | Emma Smith | 
| 33 | The Comedy of Errors | Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical... | Emma Smith | 
| 34 | Henry IV part 1 | Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John... | Emma Smith | 
| 35 | The Tempest | That the character of Prospero is a Shakespearean self-portrait is a common reading of The... | Emma Smith | 
| 36 | Antony and Cleopatra | What kind of tragedy is this play, with its two central figures rather than a singular hero? The... | Emma Smith | 
| 37 | Shakespeare and the Oxford English Dictionary (OED) | Professor Charlotte Brewer introduces the methodology behind the creation of the OED and how... | Charlotte Brewer | 
| 38 | Richard II | Lecture eight in the Approaching Shakespeare series asks the question that structures Richard II... | Emma Smith | 
| 39 | Twelfth Night | The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio... | Emma Smith | 
| 40 | Titus Andronicus | Focusing in detail on one particular scene, and on critical responses to it, this sixth... | Emma Smith | 
| 41 | The Winter's Tale | How we can make sense of a play that veers from tragedy to comedy and stretches credulity in its... | Emma Smith | 
| 42 | Macbeth | In this fourth Approaching Shakespeare lecture the question is one of agency: who or what makes... | Emma Smith | 
| 43 | Measure for Measure | The third Approaching Shakespeare lecture, on Measure for Measure, focuses on the vexed question... | Emma Smith | 
| 44 | Henry V | The second lecture in the Approaching Shakespeare series looks at King Henry V, and asks whether... | Emma Smith | 
| 45 | The Bodleian Shakespeare: A treasure lost... and regained | From the 2010 Alumni Weekend. Emma Smith reveals how Oxford University mobilised Alumni support... | Emma Smith | 
| 46 | Othello | Othello - First in Emma Smith's Approaching Shakespeare lecture series; looking at the... | Emma Smith | 
| 47 | Is Tragedy still Alive? | Discussion on whether tragedy still exists in modern culture, whether in films, modern theatre... | Oliver Taplin, Joshua Billings | 
| 48 | Does Tragedy Teach? | Third dialogue on the nature of tragedy where they talk about whether tragic theatre teaches... | Oliver Taplin, Joshua Billings | 
| 49 | What does Tragedy do for People? | A discussion of what the use of tragedy is, and whether the emotional experience of tragic... | Oliver Taplin, Joshua Billings | 
| 50 | Defining Tragedy | First dialogue between Oliver Taplin and Joshua Billings on tragedy: they discuss what '... | Oliver Taplin, Joshua Billings | 
| # | Essay Title | Description | Contributor | 
|---|---|---|---|
| 1 | Why Shakespeare Was Shakespeare | Since the release of the film 'Anonymous' in 2011, the odds have increased dramatically of being... | Kate O'Connor | 
| # | Title | Description | Author | 
|---|---|---|---|
| 1 | Shakespeare and Stage Costume | Text upon which this Online Edition is Based: “Shakespeare and Stage Costume,” in The... | Oscar Wilde | 
| 2 | Shakespeare and Music | Christopher Wilson | |
| 3 | The Preface to Shakespeare | 'The preface to Shakespeare' by Samuel Johnson. Together with selected notes on some of the... | Samuel Johnson | 
| 4 | 'A Talk for Twelfth Night' | This essay on Shakespeare's play 'Twelfth Night' by Arthur Machen forms chapter fifteen of the... | Arthur Machen | 
| 5 | On 'A Midsummer Night's Dream' | This essay on Shakespeare's play 'A Midsummer Night's Dream' is by Arthur Machen, and forms... | Arthur Machen | 
| 6 | 'Spenser, Jonson, and Shakespeare' | Chapter taken from Issac Disraeli's collection of essay entitled 'Curiosities of Literature',... | Issac Disraeli | 
| 7 | The Preface to Shakespeare | 'The Preface to Shakespeare'by Samuel Johnson. Together with selected notes on some of the plays... | Samuel Johnson | 
| # | Resource Title | Description | Contributor | 
|---|---|---|---|
| 1 | Ulysses: Stephen's Shining Moment | ... | 
