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Seamus Perry

Seamus Perry
Academic Position:
CUF Lecturer and Tutorial Fellow
College:
Balliol
Research Interests:
20th Century/Victorians/ Romantics/18th Century

Dr Perry was born in Aldershot, a military town best known to literature through its memorialisation in poems by John Betjeman. After local state schools he came to Oxford and took his undergraduate (1989) and graduate (1995) degrees at St Catherine's College. He was Oakeshott Junior Research Fellow, Lincoln College, 1995-8; and then moved to the University of Glasgow for five years, first as Lecturer and then Reader in English Literature. He came back to Oxford as a Fellow of Balliol and a Lecturer in the English Faculty in 2003.

His research interests are principally in the field of English Romantic poetry and thought, especially Coleridge and Wordsworth, and in post-Romantic English poetry, especially Tennyson, Eliot, Auden, Larkin, and their circles. He also has an interest in the modern history of criticism, reflected in his articles on A.C. Bradley, William Empson, F.W. Bateson, and M.H. Abrams. He is co-editor, with Christopher Ricks, of the journal Essays in Criticism: A Quarterly Journal of Literary Criticism (OUP), and the general editor of the new series, 21st-Century Oxford Authors (OUP).

His work for the next few years revolves around two main areas. The first is a study of some continuities in nineteenth and early twentieth century poetry and poetics, placing them within principally the context of social thought and political philosophy. Associated with this is an edition of Arnold for the 21st Century Oxford Authors, and editorial work on Empson's study of pastoral. The second is an edition of Coleridge's poems for Longman.

Outside Oxford, Dr Perry is a Trustee of the Wordsworth Trust, and a member of the Advisory Council of the Institute of English Studies in the Institute for Advanced Studies, University of London.

Dr Perry is a Fellow of the English Association, elected 2005.

Recent Publications

  • In press: ‘Hardy's Imperfections’; in Matthew Bevis (ed.), The Oxford Handbook to Victorian Poetry (Oxford: Oxford University Press). Forthcoming October 2013
  • Co-editor, with David Vallins and Kazuo Oishi, Coleridge, Romanticism, and the Orient (London: Continuum, 2013). Pp. xiii + 227. Including ‘Coleridge, William Empson, and Japan’, 71-84. (ISBN 978 1 4411 4987 9.)
  • ‘Auden's Forms’; in W.H. Auden in Context, ed. Anthony Sharpe (Cambridge: Cambridge University Press, 2013), 369-79. (ISBN 978 0 521 19657 4.)
  • ‘Selected Verse’ (review of Brian Boyd, Why Lyrics Last); Times Literary Supplement 5696 (25 May 2013), 7. (ISSN 0307661.)
  • With Michael Meredith, Browning at Balliol (Oxford: Balliol College, 2012). Pp. x + 75. Including ‘Browning at Balliol’, 1-15.
  • ‘The Shoreham Gang’ (review of Rachel Campbell-Johnston, Mysterious Wisdom: The Life and Work of Samuel Palmer);London Review of Books 34.7 (5 April 2012), 30-33. (ISSN 0260 9592.)
  • ‘Was Coleridge Green?’; in John Rignall and H. Gustav Klaus with Valentine Cunningham (eds.), Ecology and the Literature of the British Left: The Red and the Green (Farnham, Surrey: Ashgate, 2012), 33-44. (ISBN 978 1 409418221.)
# Title Description Contributor
1 What is a Great Writer? An academic panel discussion.

In this panel discussion from the Great Writers Inspire Engage Event workshop, Dr Seamus Perry,...

Seamus Perry, Margaret Kean, Peter McDonald, Ankhi Mukherjee, Rebecca Beasley
# Title Description Contributor
1 What is a Great Writer? An academic panel discusses the question.

In this panel discussion from the Great Writers Inspire Engage Event workshop, Dr Seamus Perry,...

Seamus Perry, Margaret Kean, Peter McDonald, Ankhi Mukherjee, Rebecca Beasley